Posted in god sculpture, paintings

Tribhang Murari Chaturbhujadhari Krishna Crown

The most relatable of the Vishnu-avataras, the most widely loved deity of the Hindu pantheon. There is no way the heart of the spiritually inclined would not turn to Lord Krishna. Here He is in the iconic silhouette of the tribhang murari, which is Sanskrit for ‘flute-player (murari) with the body jutting out (bhang) in three (tri) places’.

lord Krishna Crown

This work speaks volumes about the personal devotion of the artisan. The Lord is shown to be wearing a gorgeous silk dhoti and sashes. The rest of Him is bedecked with a world of shringar, which gather against His skin in lifelike angles. One of the unusual aspects of this tribhang murari depiction of Lord Krishna is the fact that He is chaturbhujadhari (four-armed). His smoothly carved feet rest on the typical dual-lotus arrangement found at the feet of Indian deities (two lotuses with their pistils brought together), which in turn is placed on a multi-tiered quadrilateral pedestal. The same is engraved with rangoli-esque motifs, the lateral trappings set off by leonine figurines that are miniscule but majestic.

Krishna’s Music : Pure as Lotus

The twoering kirtimukha crown of the Lord completes the composition This work speaks volumes about the personal devotion of the artisan. The Lord is shown to be wearing a gorgeous silk dhoti and sashes. The rest of Him is bedecked with a world of shringar, which gather against His skin in lifelike angles. One of the unusual aspects of this tribhang murari depiction of Lord Krishna is the fact that He is chaturbhujadhari (four-armed).

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